Her courses discuss ideas for a museum of the future. On the basis of a conceptual guide, students will be introduced to the individual planning steps of curatorial implementation strategies with a focus on digitization and globalization. Bihr worked as a curator at ZKM | Center for Art and Media Karlsruhe, and is currently Deputy Director of the Museum Biberach. 

She has been jury member of various important media prizes, e.g. Prix Ars Electronica, ARD/ZDF Award “Women and Media Technology”, Deutscher Hörbuchpreis. Serves as Presidium’s Chair of the Hessian Film and Media Academy (hFMA), was appointed Advisory Board Member of the German Music Council. Her teaching, research and publications focus on experimental audiomedia, soundscape studies, and media ecology. Her heart beats for working with people from all over the world.

Therefore he founded Netzwerk Bahnhof Langstadt e.V., a non-profit organization that fosters cultural and media aesthetic education and works together with schools, other educational and cultural institutions and non profit organizations. As a freelancer he also holds his own workshops at e.g. Stiftung Lesen and Stiftung Zuhören.

Her Fulldome productions were shown in several domes and planetariums all over Germany, as well as in Argentina and Colombia. She is especially interested in how artistic work can evoke a different perception of a topic and can contribute to social discourse.

He works as a lawyer in the law firm HOPPENSTEDT RECHTSANWÄLTE specialised in counselling all sorts of creative professionals and companies (www.contentlaw.de).The course Intellectual Property and Media Law offers a very hands on introduction to the legal aspects of creative work and the legal areas related hereto, mainly concerning Intellectual Property (copyright, trademarks, design, patents and know how), aspects of Press Law and Unfair Competition Law related to Social Media and Advertisement.

Using the example of social media, topics like the freedom of speech as well as marketing and related regulations are treated.
Christian Hoppenstedt is a certified Lawyer for Copyright and Media Law. He is partner at HOPPENSTEDT RECHTSANWÄLTE, a law firm specialized in counselling all sorts of creative professionals and companies (www.contentlaw.de).

Avan is an adjunct lecturer at IMC whose teaching centers on futurism in media art, with a particular emphasis on Afrofuturism as a framework for exploring multicultural visions of the future. His course invites students to critically engage with how media art shapes and reflects global narratives, especially those historically underrepresented. He also teaches social media strategy for cultural institutions, focusing on how digital tools can be used to build inclusive, forward-thinking public engagement. In addition to his teaching, Avan works as an independent curator and researcher exploring memory, futures, and connecting innovation with culture, and equity.

Stephen Kovats found his own non-profit-organization r0g_agency for open culture and critical transformation in 2012.
His lecture focuses on methods to create a dynamic comprehension between digital technology and societal, political and cultural environments.

His profession and practical experiences: Socialpedagogue at schools in the district of Darmstadt-Dieburg (since 2003); extensive experience in inclusive and intercultural projects and media cultural projects at schools, youth centers and international youth meetings; lecturer at Darmstadt UAS (Social work).
In his lecture he designs with the students media cultural projects related to the topics interculturality, inclusion and gender equality.

He worked as a research assistant at the Soundscape & Environmental Media Lab at Darmstadt UAS, where he focused on acoustic ecology and 3D audio. Since 2018, he has been teaching courses in audience development and audience research. Alongside his academic work, Vejnovic is active as an educator, collaborating with various institutions and organizations to develop educational concepts centered around sound and media.